原声大碟 -《粉红火烈鸟》(Pink Flamingos)Special 25th Anniversary Edition[MP3!]

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发行时间: 1997年04月22日

发布时间:2008-4-4 1:33 更新时间:2008-4-4 13:54

发布人:deepseakeeper | 文件数:1 | 点击数:11947

分类:音乐 - 原声音乐

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内容介绍:

原声大碟 -《粉红火烈鸟》(Pink Flamingos)Special 25th Anniversary Edition[MP3!]


专辑介绍:

一、《粉红火烈鸟》的剧情

电影围绕“The Filthiest Person Alive”(世上最恶心的人)展开。一开始,Divine上报了,作为这个伟大的称呼拥有者。由于名气太大,他们搬到一个移动房子里面居住,Divine改名为Babs。他们的生活并不安宁,有一对夫妻Raymond和Connie垂涎于那个头衔,认为自己才是最恶心的人,对Divine丝毫不服气。这两个人又是何方神圣呢?他们有一幢别墅,生活应该还是比较殷实的:有一名司机和一个秘密地下室。地下室里面有她们捉来的少女,手脚被捆绑着。司机下去把自己的精*用针管注射到少女的**,让她们怀孕。等孩子生出来了,Raymond夫妇就把孩子卖给Les们赚钱。

两夫妇费尽气力找到了Divine的住处,还给她寄去了生日礼物——一条大便。之后,Raymond夫妇还将Divine的房屋烧了。这些激怒了Divine,她也找到了Raymond家。Divine和她儿子去到他们家,像狗似的舔了两夫妇的床、餐桌、沙发……Divine还跟他儿子口*以纪念这神圣的一刻(母子乱伦影片中比较经典的一幕)。正在这时,Raymond夫妇回来了,被愤怒的Divine逮住。

之后,联系媒体,现场报道他们处决Raymond夫妇的全程。在庄严而有条不紊的裁决之后,Divine宣判了他们死刑,并亲自把其枪决了。故事也就此结束。


二、《粉红火烈鸟》中的经典台词

Connie: I love you, Raymond! I love you more than anything in this whole world. I love you even more than my own filthiness... more than my hair color... Oh God, I love you more than the sound of bones breaking... the sounds of death rattle! Even... even more than my own shit... Do I love you, Raymond?

Raymond: And… and I, Connie, also love you… more than anything that I could ever imagine. More than my hair color! More than the sound of babies crying of dog dying. Even more than the thought of original sin itself. Oh, I am yours, Connie, eternally united to you… through an invisible cord of finely woven filth… that even God himself could never, ever break.


三、《粉红火烈鸟》中的鸡蛋恋情

片中有一个滑稽的老太太Edie,坐在婴儿床里面,整天叫着要吃鸡蛋。所以她最爱的是eggman(送鸡蛋的人),最后也跟他终成眷属。她的思绪整天只有鸡蛋,由鸡蛋开始怀疑母鸡会不会灭绝,担心eggman是不是失业……对于女儿的恶心和其他一概不过问。是片中最“乾净”的人。


四、本原声专辑发布介绍

本音乐专辑为《粉红火烈鸟(Pink Flamingos)》电影原声音乐,Link Wray, Mark Grant, The Centurions等人作曲。
整个专辑听起来十分怀旧,也颇具Camp文化的特点。喜欢电影及喜欢六七十年代摇滚的朋友不妨下来一听。
资源搜索自电驴,这里整理转发。感谢原发者!


五、英文版原声带介绍

Featuring mostly obscure late 50s/early 60's pop tracks with a bit of rockabilly, jazz, surf music and swing thrown in for good measure, there is an intoxicating mix of upbeat tunes here along with some minor key moments and abstract oddities. Songs such as La Verne Baker's Jim Dandy, Frankie Lymon & The Teenagers I'm Not A Juvenile Delinquent, Little Richards The Girl Can't Help It & Bill Hayley's Ooh! Look-a There Ain't She Pretty are the kind of infectious jazz styled 60's pop your grandmother would happily sing along to and wouldn't be out of place on The Wanderers soundtrack. Though a nice slice of well written early pop some would consider this style of music cringe-worthy and camp to the extreme, the context of the film in which they are used to bring these qualities out certainly doing these songs no justice. In all intentional purpose though, it is more then successful. Pink Champagne by The Tyrones is a notable track out of this upbeat selection, featuring some playful trumpets and a fast, walking bassline it is an immersive song with a debauched swing that is played for full effect in the film. After viewing it's corresponding scene it will never be seen in the same light again.

The few instrumental tracks are stellar. Moving along with a mid-tempo rockabilly stagger, Link Wray & The Ray Men's The Swag is quite unlike anything else on here and is the perfect opener to both the movie and the album. Intoxica by The Centurions features some fantastic surf guitar and thunderous drums, appropriately drowning in reverb it is atmospheric and timeless. Chicken Grabber by The Nite Hawks has a slight junkyard percussion jazz feel that brings to mind the abstract musical style of Tom Waits, some chicken noises and a man's voice sample of "Here chick, chick, chick, chick, chick...." constantly interweaving with some dark basslines and trumpet stabs makes a song that is as dark and sinful sounding as it is ridiculous. Other notable moments on here are Surfin' Bird by The Trashmen, an obnoxious vocal over some fast surf-rock which is the bizarre soundtrack to an equally strange scene where a man sings with a gesticulating anus, and Riot In Cell Block #9 by The Robins which is a nice blues number about prison which recalls the slow burning swagger of BB King & the soul of Ray Charles.

The soundtrack to Pink Flamingos is one of the driving forces behind it's appeal, the film itself is an acquired taste with some of the most revolting scenes ever committed to film dripping in camp cheese (director John Water's is a flamboyant homosexual and his tastes come out strong, if you are homophobic this is not for you). The music is suitably appropriate, it features some upbeat obscure late 50s/early 60's jazzy pop numbers amongst a few great instrumentals from the era of varying genre all of which take on a new, unshakably disturbing veneer after you watch the film. There are a couple of songs that are more or less filler, but the songs that stand out more then make up for it.


六、文字参考自:

1. 我博客里面介绍《粉红火烈鸟》的文章
2. http://www.sputnikmusic.com/review_14222